Pattern collabs with three artists: Jedda Daisy Culley, Meagan Boyd, and Yvan Guillo.
Photos: fashionnetwork.com
Season: Afterpay Australian Fashion Week, Sydney Australia
Smocked prairie dresses, corseted maxis, dresses with an accordion-fold leg of mutton arms, shift minis (one in white diamond-check cut-out bio-leather), ditsy shorts, and a romper, oversized tailoring, shirts and palazzo pants (one set made of Sicilian orange pulp viscose), a frill-shoulder dress with fringed hem and etched flowers, caftan dresses, and strapless bodice evening gowns were amongst the wide-ranging offering that emerged on the often frustratingly unlit runway. The patterns, whether in print or embroidery, were just as various thanks to that collaborative chorus. According to seasoned Alémais watchers, the tailoring and eveningwear were new to the brand. Maximalist in almost every regard, this time-traveling bohemian broadside—fleshed out with plenty of woo-woo symbology and so forth—proved catnip to the adoring and unashamedly partisan audience: Alémais was called upon, and duly delivered.
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