Pattern collabs with three artists: Jedda Daisy Culley, Meagan Boyd, and Yvan Guillo.
Photos: fashionnetwork.com
Season: Afterpay Australian Fashion Week, Sydney Australia
Smocked prairie dresses, corseted maxis, dresses with an accordion-fold leg of mutton arms, shift minis (one in white diamond-check cut-out bio-leather), ditsy shorts, and a romper, oversized tailoring, shirts and palazzo pants (one set made of Sicilian orange pulp viscose), a frill-shoulder dress with fringed hem and etched flowers, caftan dresses, and strapless bodice evening gowns were amongst the wide-ranging offering that emerged on the often frustratingly unlit runway. The patterns, whether in print or embroidery, were just as various thanks to that collaborative chorus. According to seasoned AlĂ©mais watchers, the tailoring and eveningwear were new to the brand. Maximalist in almost every regard, this time-traveling bohemian broadside—fleshed out with plenty of woo-woo symbology and so forth—proved catnip to the adoring and unashamedly partisan audience: AlĂ©mais was called upon, and duly delivered.
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